Creative guidance and sentence-level refinement for authors of fiction.

Whether you’re looking for big-picture feedback on your story or someone to check your spelling and grammar, I have an editorial service that will suit your needs.

As a writer, working with you has been the best thing that’s happened to me […] I want to add my relief and happiness that you ‘got’ what I was trying to do; you didn’t just edit the words; you understood the concepts and your feedback helped me to tighten everything up and make it so much better, both in terms of subtext and style.

Gina Maya

Portfolio

I’ve edited 100+ manuscripts since becoming an editor in 2011, working with both self-publishing authors and publishing houses. Here are just a handful of books I’ve worked on. For each, I’ve either provided creative guidance or sentence-level editing (or both).

Tony Faggioli – One Plus One

Lorna Reid – Darkwalkers

Lorna Reid – Rise of the Reaper

Aaron D. Key – Herai

Charles Maclean – Unforgettable

L. J. McIntyre – Social

Gwydion Roberts – Utopia in Danzig

Ian Rilke – The Emperor’s Gift

Melissa Brown – Becoming Death

Philippa Comber – Ariadne’s Thread

Sean Adams – Darkness Falls

Alison Ingleby – Expendables

Rexx Deane – Synthesis:Weave Afterglow

Tash Bell – To Hell in a Hot Tub

Meg Cowley – The Brooding Crown

Ben Ellis – In a Right State

Tony Faggioli – One Gray Day

Tony Faggioli – The Snow Globe

I’ve worked with Sophie on three full-length novels. She tries to maintain the author’s voice as much as possible and has a great eye for detail – she’s not afraid of pushing you to make the best of your writing. I really don’t know where I’d be without her guidance in shaping my stories, or sharpening up those rough edges!

Rexx Deane

Frequently asked questions

Yes. Please let me know the nationality of your intended readership in your enquiry.

My schedule can get pretty busy. I’m often booked up about three months in advance. Get in touch early if you have deadlines you’re working to. If you’re planning to self-publish, take a look at these sample production timelines for further guidance.

No, I’m afraid not. You’ll need to work with a literary agent for that.

Absolutely. Just ask your publisher if I can be your editor. It’s common for authors to ask for a particular editor that they like. (And congratulations on the book deal!)

I offer lots of free advice on my blog, so check that out. I also highly recommend you read Write to Be Published by Nicola Morgan.

I’d rather you didn’t – not because I don’t want to talk to you, but because it’s likely I’ll be immersed in another person’s manuscript. Plus, I think it’s much more useful to have a written record of our conversation to refer to, so email is always best.

Every editor works (and edits) differently, so it’s important to find a good match between author and editor. But just because we don’t chat on the phone or meet face to face, it doesn’t mean we can’t get a feel for whether we’ll work well together. Firstly, if you like what I say on this website, that’s a good sign. Then we can chat a little over email. All of this should be enough for you to decide if we’re a good fit for each other.

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Insights into the world of fiction, from the desk of an editor

Editorial considerations, creative revelations and the occasional existential lamentation – sharing my experiences and personal recommendations exclusively with you.