Stories are important. They ignite our imaginations and help us understand the world. And yet, it’s not immoral for authors and publishers to want to earn an income from their books, or to want recognition and praise. But I think it’s satisfying to approach novel writing with the aim of creating something of true quality, something meaningful.
I started my career at a small wildlife publishing house in 2009, then became an editorial assistant at publishing giant Pearson Education.
Since starting my own editing business in 2011, I’ve worked with hundreds of authors and trained hundreds of editors.
I have a master’s degree (MA) in Creative Writing from Royal Holloway, University of London, where I wrote my dissertation on the conflict between the natural and the mechanical in steampunk literature.
Previous to that, I studied for my bachelor’s degree (BA) in English Literature with Creative Writing at the University of East Anglia, which is widely regarded as the best university in the country for creative writing courses. Not that I’m bragging. Okay, I’m bragging a little bit.
Oh, and I also have a BTEC in Teaching in the Lifelong Learning Sector, because why not?
Over the years, I’ve done pretty well with my own writing. I was shortlisted for the Escalator Literary Prize for Fiction (2012), published a handful of poems and stories, self-published a short story collection (The Hours of Creeping Night) and signed with a literary agent.
I’m a woman of simple pleasures – food, films, books and nature – but I’m also partial to contemplating the meaning of life, the universe and everything. (Which often sends me into an existential crisis, but let’s not dwell on that.)
I also love to travel and once spent a year exploring mainland Europe, working from my laptop.
Editorial considerations, creative revelations and the occasional existential lamentation – sharing my experiences and personal recommendations exclusively with you.