When I was building my editing career, the training available to fiction editors was … patchy. Most of it wasn’t specific enough (or deep enough). So, I decided to use my knowledge and experience to create the courses I wish existed when I first started out.
From black ink … to red ink
Before I became an editor, I was a writer. I studied Creative Writing to Masters level, had short stories and poems published in journals (including The London Magazine), was runner-up in the Mslexia International Poetry Competition, and was shortlisted for the Escalator Literary Prize. I understood, from the inside, what it meant to work on a piece of writing until it became something worth reading.
That understanding became the foundation of my editing career. While at university, I discovered I had a knack for (and a love of) giving feedback to my fellow writers. After graduating, I worked in-house at a publishing company before deciding to branch out on my own. (Commuting and working nine-to-five? Get in the bin!)
Going it alone
I built a freelance fiction editing business from scratch – learning through courses (some good, some not so good), reading voraciously on craft and business, attending and eventually presenting at conferences and events for writers and editors. I leaned into fiction as my specialism and developed a client list I was proud of – as well as a six-month waiting list.
Over the years, I had noticed a gap. The training available to fiction editors specifically wasn’t particularly robust. Too much of it was generic; too little of it went deep on the specific demands of editing novels. So, I built the courses I wanted to see.
What Liminal Pages is all about
In 2023, after my daughter was born, I stepped back from client work entirely to focus solely on training. Liminal Pages became a resource for editors, shaped by everything I’d learned over years of education and practice.
The courses on offer here are rigorous – because editing requires rigour – and they’re specific to fiction. They’re recognised by the Chartered Institute of Editing and Proofreading; I’ve also contributed to industry thinking more broadly, including authoring a guide to developmental editing published by the CIEP.
I’ve been in and around the publishing industry for over fifteen years, and everything I’ve learned in that time goes into what I teach here.
If you want to see what’s on offer, the Courses page is the place to start.
If you’d like to hear more from me – including when new courses launch and my current thoughts on running a business in this industry – sign up to Liminal Letters below.
All photos by RXCROSE, except those on the blog. Web development by Paul Masek.
Course updates, special offers and honest opinions on the editing and publishing industry – plus insights into the life of a small business owner: how I juggle a toddler (not literally), limited hours and high ambitions while trying to cultivate meaningful work.