Line Editing Tip: Why Cutting Filter Words Isn’t Always Enough
In fiction, strong point of view (POV) is the reader’s lifeline to immersion. The deeper the POV, the more readers can live inside a c...
Read moreIn fiction, strong point of view (POV) is the reader’s lifeline to immersion. The deeper the POV, the more readers can live inside a c...
Read moreThere’s no one set way for an editor to conduct a developmental edit, and therefore how long one takes will vary widely from editor to...
Read moreThere’s a piece of writing advice floating around out there that recommends authors comb through their writing cutting out the word ‘w...
Read moreSelf-Editing for Self-Publishers – Incorporating: A Style Guide for Fiction by Richard Bradburn is an immensely generous book. It’s a ...
Read moreAs an editor, it’s your duty to educate yourself on potential unconscious biases that might occur in a piece of writing so you can hel...
Read moreYou’re editing a first-person narrative and realise nearly every sentence starts with the pronoun ‘I’. It stands out, and feels ...
Read moreMetaphors are powerful weapons in an author’s writing arsenal. (See what I did there? That was a metaphor.) A thoughtfully writt...
Read moreA synopsis is a one-page summary of a novel, used to demonstrate the author’s story-crafting skills to a literary agent (or publ...
Read moreEvery novel needs conflict, and every novel needs antagonistic forces. But this doesn’t mean every novel needs a villain (a pers...
Read moreYears ago, I was staying in a tiny traditional guest house in South Korea for a few days on my two-week journey around the country. Wh...
Read moreIf you’re a fiction editor and your author-clients want to follow the traditional route to publication, you might offer to help ...
Read moreI’ve been asked this question a couple of times recently, so I thought I’d clear things up! Does an ellipsis have a space ...
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