Spot different kinds of omniscience, assess their effectiveness, and help authors make the most of their chosen mode
Not all omniscient narrators are structured in the same way. Some have a voice as loud as Lemony Snicket’s; others stay cool and detached, like in Station Eleven. You’ll learn to spot which mode your author is working in, and catch the moments where they accidentally slip out of it.
Spot the difference between head-hopping and a narrator in full control
An omniscient narrator can access every character’s mind … but should they? And how can they do this without it becoming the dreaded ‘head-hopping’? We’ll look at key techniques that allow authors to navigate this issue with clarity and control.
Know when (and how) to smooth it – or send it back for a redraft
Not every omniscient manuscript needs the same kind of editorial input – and knowing which situation you’re in is half the battle. You’ll get a clear framework for assessing a manuscript at both the developmental and line level, so you can tell an author honestly what their book needs, without over-promising or under-delivering.
