If your clients want to be a published authors, they have two main options.
They can either self-publish or they can work with a traditional publishing house.
Most publishing houses don’t consider unsolicited manuscripts for publication. Instead, they’ll let literary agents do some of the legwork in finding new and amazing manuscripts. So if a writer wants to be published by a publishing house, signing with a literary agent is often the best first step. Not only will an agent help them get a foot in the door, but they’ll also negotiate the best deals on the writer’s behalf using their extensive knowledge of the industry.
It’s not that easy to land an agent, though.
Literary agents receive so many submissions that they simply can’t take on every great writer. And because of the sheer number of submissions they receive, a manuscript could easily fall through the cracks.
So how many submissions are we talking about?
The Writers and Artists website has a great series of interviews with literary agents. From these, I’ve pulled out the following submissions numbers:
Clare Wallace, Darley Anderson Agency
Submissions per week: 300+
Submissions per year: 15,000+
Most common mistake writers make: ‘Submitting too early, before the submission really is the best the author can make it.’
Submissions per week: 50
Submissions per year: 2600
Most common mistake writers make: ‘Even if a manuscript has the best plot I’ve ever come across, if it’s poorly written I won’t be able to take it on.’
Juliet Pickering, Blake Friedmann
Submissions per week: 80–100
Submissions per year: 4700
Most common mistake writers make: ‘The opening chapters should show not tell. Take us straight into the action, and don’t worry about the back story.’
Lucy Luck, Lucy Luck Associates
Submissions per week: 50
Submissions per year: 2600
Most common mistake writers make: ‘Sending a manuscript before it’s ready.’
Hellie Ogden, Janklow & Nesbit
Submissions per week: 100
Submissions per year: 5200
Most common mistake writers make: ‘[N]ot having a clear enough idea of what their work is. As soon as you approach agents you are entering a creative but also business discussion and you must be clued up on where your book might fill a gap in the market.’
So, agents receive thousands of submissions each year. And of those thousands of submissions, how many new authors do they take on every year?
Usually between three and ten.
Between three and ten … of thousands.
Once you’ve all stopped hyperventilating at the thought of how futile landing a literary agent seems, let me provide some reassurance.
This doesn’t mean a writer’s chances of signing with a literary agent are around two in a thousand. No. Because not all manuscripts are equally good. And not all submissions are equally good.
How can a writer increase their odds? There are a number of ways:
- Follow the agency’s submission guidelines to the letter.
- Make sure their book is in a genre the agent actually represents.
- Write an excellent query letter. (Here’s how to help writers do this.)
- Submit an excellent synopsis. (And here’s how to help writers do this, too.)
- Make sure the novel is the absolute best it can possibly be.
If a writer does all that, they’ll greatly improve their odds of catching an agent’s attention. Even so, they should be prepared for the possibility that things still might not pan out. Perhaps the market for their book is too small to appeal to a publisher. Perhaps their novel is really, really good – but just not quite as good as some of the other submissions.
Sometimes that’s the way things go.
If following the traditional route to publication is your client’s dream, they might need to put their manuscript aside and start writing another one. Publishing a novel is often a combination of skill, grit and luck. Sometimes it takes time for those three things to align.
Sometimes editors have to educate their clients on these facts. We can’t promise them publishing deals, but we can certainly help them increase their chances of signing with a literary agent – all the while keeping their expectations realistic.
Alternatively, they might consider self-publishing their book. (Read: Preparing a Novel for Self-Publishing.) Self-publishing poses its own challenges, but the beauty of it is that there are no gatekeepers.
Whichever route to publication your client decides to take, they should make sure their novel is the best it can be. As an editor, you can be a real help.
